"I have been producing beats for a number of years now, and finding this caliber of literature is not always easy. Your book is ridiculously tight, your enthusiasm, knowledge and passion for the culture is spilling from each page. Your writing style is so, that I couldn’t put the book down, I rolled meticulously from cover to cover I didn’t want to miss a sentence. This book has inspired me in a big way, so for that, I wanted to thank you. Keep doin what you do."
—Phil Rose
"Comprehensive, passionate and scholarly, The BeatTips Manual is much more than an instruction book for hip-hop producers...It is a thorough analysis of the hip-hop aesthetic itself. Highly recommended for anyone that takes hip-hop culture seriously."
—Joe Schloss, Ph.D, Professor,
New York University
"The BeatTips Manual is one of the best investments I have made in beat making and as a fan of hip hop...the sheer size of the book is amazing. The BeatTips Manual has definitely given me a lot to think about. Thank you very much for your efforts and work in this book. It needs to be required reading for anyone getting into beatmaking or hip hop production."
—Charles Purnell
"Ive had the 5th edition for a few weeks now and the book is nuts man. The book is huge and full of more goodness than the 4th with an even more extensive look at hip hop's roots, culture and production. Ive read the 4th edition multiple times and constantly used it for a reference when making beats, but this 5th edition is something else! The 5th has increased my knowledge of hip hop unlike any other book, and I have read a lot of hip hop books.
Sa'id thank you for your dedication and love for hip hop and you hard work to keep it alive. Hip Hop thanks you!"
—Brandon F
“Detailed and thorough, I'd consider The BeatTips Manual to be the go-to guide for beatmaking. Highly recommended!”
—Ivan Rott, HipHopIsRead.com
"Sa'id, I just got my copy of The BeatTips Manual, and I LOVE it. I've been producing for about 4 years now, and I've read all sorts of books, websites, forums and instructional videos, and I can honestly say, that this is by far THE BEST aid I've ever found. You can really feel your passion for beatmaking & producing, and that's what makes it such infectious reading."
—Nick "Stealf" Lester
“This joint is thick and serious, I love it…I've never seen anything like it! This is not a 'skim the top' type of book..this is a great book, it’s thorough, it’s deep, it’s very informative...if you make beats, or have any interest in making beats/producing, this book is a must have, no questions, period.”
—SoundsandGear.com
"I love the book! Got so much info. I thought I knew alotta shit, til I read The BeatTips Manual...It's like you're giving away the game."
—DJ Ladda
"I just wanted to thank you for this new 5th edition of The BeatTips Manual...it's beautiful! You are doing a great job and I wish you much success."
—Chiemela (aka AC)
"Great work! Truly."
—Dream Hampton, former Editor of the Source Magazine; Senior Writer for Vibe Magazine
"Just got the book today and its one of the best books I ever purchased for music production. I cant stop reading it..."
—Phong Nguyen
"I could go on and on pointing out everything I loved about the book, but I won't because it'll take forever. The essence of the book is really, really good...Let me thank you again and congratulate you for a great work. It really was a pleasure reading it, and it'll sure be really close to my production set-up."
—Dante
"THIS BOOK IS THE TRUTH! It delves deep into the philosophy of the producer, important comparisons of different styles, hip hop history, business, and tons of up close and personal interviews with hip hop's largest producers. All the pages are written in a down to earth, coherent manner so everyone from beginners to advanced producers can benefit. Highly recommended."
—Turntable Lab
"This is by far the single best book focusing on Hip Hop production. It is an absolute must read and it's for anyone beginning or continuing their journey into production. It will prove highly valuable and pay countless dividends to anyone willing to invest the time to obtain the vast wealth of knowledge and wisdom contained in its pages. Also, with interviews from renowned producers such as DJ Premier...and others being worth the price of admission, the book acts as a triple bonus."
—CrateKings.com
"You Must Learn. The BeatTips Manual goes way beyond beatmaking 101. There's only so much you can learn about hip hop production from audio technology schools, where the art form's finer points are generally glossed over. Sa'id's accessible BeatTips Manual fills in the blanks. It shines in its efforts to educate readers on topics that are often overlooked. Do the knowledge!"
—SCRATCH Magazine
I have a set of i-Key Audio 606 monitors that I love, but I rarely hear anthing about them.
Posted by: Frost Gamble | January 17, 2012 at 10:56 AM
Frost Gamble,
I never heard of those before. Are they new? What do you like about them?
—Sa'id
Posted by: Amir Said | January 18, 2012 at 06:37 AM
Sa'id,
They have a very tight bass response and clean top-end. I mean, it could be the fact that I know their sound so well so I can mix comfortably, but in any case I really dig them.
Here's a link: http://www.ikey-audio.com/m-606v2
Posted by: Frost Gamble | January 18, 2012 at 06:21 PM
Genelec 8040A. One of the best monitors ever made.
Posted by: Bala | January 19, 2012 at 04:56 AM
Frost Gamble,
Those i-Key Audio 606 monitors look nice. I'm not familiar with the company. I noticed on the website that their sister brand is Gemini. Were these developed by Gemini? Or is i-Key Audio its own company? How did you hear about these monitors?
—Sa'id
Posted by: Amir Said | January 19, 2012 at 05:59 AM
Bala,
You know, I was wondering if I should include any Genelec model; I mean that's top of the food chain. But the price point for Genelec is generally high (but worth it, if you have the budget). Price aside, however, the quality and sound of a Genelec monitor is superb.
How long have you been using these Genelec monitors? What did you primarily use before them? And what environment do you use them in? Large or small room, pre-production studio, etc?
—Sa'id
Posted by: Amir Said | January 19, 2012 at 06:05 AM
Sa'id,
I afraid I don't know much about the company. The salesperson at a local music store recommended them when he saw me looking at the Rokits. Gave them a listen and then took 'em home, never looked back.
Posted by: Frost Gamble | January 20, 2012 at 10:01 PM
Said,
They are expensive, but there are smaller and cheaper models. I bought them when they came out. I think it was 2004. They didn't make smaller Genelecs then, so I had to buy these. I use to mix with my home stereo speakers so real studio monitors were a big upgrade. I mixed in an untreated room for years, but a year ago we build a small studio with proper acoustic treatment. I was blown away when I first heard how my monitors sound in a treated room. The difference is huge. Low end is so accurate and my mixes translate better. That is why I tell everyone to invest in proper acoustic treatment. 500$ monitors sound better with treatment than 2000$ monitors without treatment.
Posted by: Bala | January 22, 2012 at 02:06 PM