The Wah Wah Guitar Back Story; First Series Release
|By AMIR SAID (SA'ID)|
In 1999, I started my first company, Wah Wah Guitar Recording and Filmworks. The plan was for Wah Wah Guitar (named as my homage to the proverbial "wah wah" guitar sound featured in many 1970s films, particularly those commonly known as blaxpoitation movies) to serve as my umbrella entity through which my independent interests in music and films would be commercially realized.
Prior to 1999, I had been rhyming and studying the art of rapping for seven years, and I had been developing a skill for beatmaking for six (I began rhyming as a teenager in 1992; I began making my own beats a year later), but for various reasons (distractions, other interests) I had yet to attempt to go pro, so to speak. So when I started Wah Wah Guitar in 1999, it represented the first carnation of my understanding of commerce and entertainment, specifically, independent production, manufacturing, and distribution.
Although I had set up an entity to pursue a career in music, the truth is, I never went after it with the sheer narrow focus that many have. Aside from my strong reservations about how the music industry was ran (and some of the specific industry types who ran it), I also held deep reservations about being a “rapper.” So even though I had the talent and dedication to carve out a music career (indeed, at one point I received legitimate label interest and I passed on the opportunity, see Sa'id's Mental Memoir: DJ Tony Touch Thought "Milk" Was A Monster"), as the year 2002 drew near, my goals shifted.
Before I ever wrote one rhyme or made one beat, I was a writer, one with a particular interest in film, history, and culture. And while I was serious about music, I had to embrace the reality that I wanted to do more than rhyme or make beats. Moreover, I realized that I didn’t want to maneuver from the “inside” of the music industry. So I committed myself to bypassing the exhausted deal-shopping path, and I focused instead on working from the outside. The aim being to create a platform that would allow me to do my own music on my terms and to be flexible enough to pursue wherever that took me.
As I saw it, Wah Wah Guitar would become the entity through which I realized my music goals. It would be the independent company that would permit me to do music completely on my own terms. But an ironic thing happened (well, perhaps not too ironic) three years into this plan: I wrote a book about beatmaking (The BeatTips Manual)! Soon, my rapping and beatmaking aspirations subsided; and it became less important for me to release my own music and more important for me to examine and thoroughly research the hip hop/rap music tradition—specifically, beatmaking—and publish my findings. In short, it became more important for me to document the beatmaking tradition and to work towards preserving the hip hop/rap music tradition as a whole.
Still, this huge shift in focus aside, in the three years that Wah Wah Guitar remained active, I recorded a great deal of music; the overwhelming bulk of it I never released or even let anyone hear. In fact, some of it, I've only heard once or twice—on the day that I made and recorded it! So what exists now is a catalog of complete and incomplete songs and beats; complete and incomplete verses, both one-takes and outtakes; commercial studio session recordings and home practice sessions; and more. And in an effort to continue to help more beatmakers and rappers, I’ve decided to release most (if not all) of this music here on BeatTips.com.
Thus, for the purpose of scholarship (discussion and study) and to extend my work in the study of the hip hop/rap music and beatmaking traditions, I will, at least once each month, post a recording (at random) from my Wah Wah Guitar Music Catalog. And along with each recording, I will include as much commentary as possible, which shouldn’t be hard to do, since I’ve kept notes, often very meticulous ones, of every beat and rhyme that I made and recorded during the Wah Wah Years. It is my hope that by releasing this music and personal commentary, fellow beatmakers and rappers will (1) learn more about the fundamental ways that the two art forms—beatmaking and rapping—affect each other; and (2) be able to incorporate some of my ideas and approaches (if helpful) into their own processes.
As always, I encourage any questions, observations, or anything else that will be helpful. So post your comments and get into the discussion.
Sa'id - "Bullet in a Horoscope" (from the Wah Wah Guitar Music Catalog)
The concept for this song (which I never completed) was about a young "good girl" in the hood gone bad. I wrote one verse, just to see if my rhyme matched my initial concept and the beat. But as with a number of my unfinished rhymes, with this joint, I was mostly concerned with further developing control of my delivery, particularly at a quick pace.
For this beat, I used a one-bar framework that I copied into 2 bars. The beat is driven by a sample that I duplicated. I filtered one copy of the sample with high treble; and I filtered the other copy with dull treble. The main effect of the way that I filtered two copies of the same sample is that it made both copies sound like they had different pitch levels.
For the drum framework of this beat, I built a drum pattern that sounded like it was tumbling over. I had the kick sort of rumbling, while I tucked the snare-hits. The open hi-hat is where I tried a couple of things out. First, I experimented with the open hi-hat in a way similar to how I filtered the primary sample of the beat, in that I filtered it differently on alternating events within the sequence (meaning I programmed the high-filtered part to land, followed by the dull-filtered part). Also, I played the open hi-hat in a way that "pushed" the beat along.
I never built this joint out into a complete song, but it helped me work out different aspects of my rhyme delivery and breath control. Furthermore, it helped me gain a better feel for how to use my hi-hats, something that would soon come in handy.
The music below is presented here for the purpose of scholarship.
Sa'id - "Bullet in a Horoscope" (prod. by Sa'id, from the Wah Wah Guitar Music Catalog)