Three Boom Bap Sets Well-Worth the Time
| By AMIR SAID (SA'ID) |
The 2nd annual Audbile Treats CMJ Showcase took place almost a couple of weeks ago, here in New York City at Sullivan Hall. The line-up included Black Sheep, Rah Digga The Niceguys, Big Pooh & Hall of Justice, Chip Fu, The Left, Davinci, Von Pea, Moe Green, Nottz, and Diamond District. Unfortunately, I arrived late, so I was only able to catch the sets of Diamond District, Nottz, and Rah Digga. Even still, what I did catch was entertaining and worth the trip.
For me, the clear winner of the modified show that I saw was Diamond District. Their set was electric and forceful. The two songs (sorry don't know the titles) that I saw them performed were both deeply soulful. And I'd be remiss if I failed to mention how comfortable Oddisee appeared on stage. He pretty much represented as the front man, which was particularly impressive, given the fact that he's the beatmaker (producer) of the outfit.
Nottz's set was solid. He warmed the crowd up by playing songs from his production catalog, no doubt a smart move, considering the fact that Nottz is primarily known as beatmaker (producer). After running through several well-known songs of his catalog, Nottz broke into a performance of a couple cuts from his new album, You Need This Music. First, he rocked "Blast That," then he followed that up with the Colin Monroe produced "Dontcha Wanna Be (My Neighbor)" feat. Asher Roth. Roth hung on the stage for one more song, afterwords, Nottz launched into "Shine So Bright," and the energy in Sullivan Hall roared back up again. Having gotten the crowd presumably where he wanted them, Nottz moved into a dope performance of "Cars." It was at this moment that Rah Digga first came out, rippin' up the "Cars" beat with an ill rhyme. Unfortunately, this marked the end of Nottz's set. I was hoping to hear a couple more joints off the new album, but it was clear that it was time for Rah Digga to get her shine.
Demonstrating every bit of the show veteran that she is, Rah Digga engaged in conversation in between delivering performances of her new album, "Classic." The stand out of Rah Digga's set was her live take on "Good Music." Indeed, the crowd responded well as Digga weaved through the verses.
Collectively, Diamond District, Nottz, and Rah Digga made the Audible Treats showcase a success. The venue allowed for a level of "up-closeness" not always afforded at other spots around NYC, which was a plus. And the atmosphere was made up of true hip hop/rap fans. So even though I wasn't able to catch the full line-up (still upset I missed some of the earlier acts), I went away thinking that Audible Treats put on a good showcase. I also remember thinking that it was a good night for boom bap.








James Brown, Papa's Got a Brand New Bag (1965)
James Brown, Say It Loud - I'm Black and I'm Proud (1968)
The Meters, The Meters (1969)
Led Zeppelin, Led Zeppelin (1969)
Led Zeppelin, Led Zeppelin II (1969)
Curtis Mayfield, Curtis (1970)
Led Zeppelin, Led Zeppelin III (1970)
Led Zeppelin, Led Zeppelin IV (1971)
Aretha Franklin, Young, Gifted and Black (1972)
The Jimmy Castor Bunch, It's Just Begun (1972)
Harold Melvin & The Blue Notes, I Miss You (1972)
Led Zeppelin, Houses of the Holy (1973)
Stevie Wonder, Innervisions (1973)
The Beat (aka The English Beat), I Just Can't Stop It (1980)
The Beat (aka The English Beat), Wha'ppen (1981)
The Beat (aka The English Beat), Special Beat Service (1981)
LL Cool J, Radio (1985)
Marley Marl, In Control (1988)
Main Source, Breaking Atoms (1990)
Gang Starr, Step in the Arena (1991)
Dr. Dre, The Chronic (1992)
Nas, Illmatic (1994)
50 Cent, Get Rich or Die Tryin' (2003)
The 4th Annual One Stop Shop Producer Conference (OSSPC) has been announced for 2010, and it appears that this time around team Sha Money XL believes that OSSPC (the most respected of all the producer-/beatmaker-themed music conferences) will benefit from a change of scenery. Indeed, 2010's conference is set to be held in Las Vegas, NV rather than Phoenix, AZ, the city which has hosted the OSSPC since its inception. I suspect the low hotel rates and the buzz of Vegas was just too much to ignore for OSSPC planners. Moreover, I think that they recognize (wisely) that a host city like Vegas has the potential to double (if not triple) their average attendance. 





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